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Art & About Sydney \ Exhibitions & Events \ Live Lanes - By George! \ Peloton
With works from four of Peloton Gallery’s artists, Albion Place continues to deliver new art in the heart of the city
Curator: Claire Taylor
Artists: Michele Zarro, Julia Davis, Lisa Jones, Lisa Andrew
Michele Zarro's installation spans the area of Albion Place west of the large doorways that divide the laneway in two. Horizontal bands of colour, and an interplay of lines running intermittently between and extending through the lightboxes, become the performative component of Zarro's strategy, linking the wall, the lightboxes and the lane to generate a cohesive yet dynamic installation.
| Michele Zarro Suitcases 00, 2006, mixed media, dimensions variable. Photo: Pete Endersby |
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| Michele Zarro deRANGe(d), 2007, mixed media, dimensions variable. Photo: Pete Endersby |
Much of Lisa Jones recent work “evokes the corporeal through tactile, elaborate forms … depicting interior spaces rendered visible by medical technologies.” For this laneways project, Lisa Jones is interested in working with the metaphor of the city as a living body. Presenting a series of works called Body Maps, these works trace nerves, veins and other anatomical structures in the human body, in much the same way a cartographer traces streets and rivers running through the city. With reflection and repetition the artist transforms these images into beautiful, ornate structures suspended in the lightboxes.
Curator: Claire Taylor ©2008
| Lisa Jones Body Map, laser-cut acrylic and paper, 95 x 95 cm |
Lisa Andrew’s portraits are based on images of strong characters in films, while others are drawn from literature, others still taken from the media. What they have in common is a tension between anonymity and familiarity. Her works are installed in the group of lightboxes at the George St end of Albion Place, where the laneway is most peopled. To regular passers-by, over time, these portraits will shift from images of seemingly unfamiliar faces to ones that they instantly recognise.
This site-specific work continues Julia Davis’ practice which explores the viewers reading of space and how it underpins our sense of self and place. An interplay of reflections manifests in the surface of the work and draws the surrounding space and the viewer into the collective image. Davis is interested in the idea of creating a pause or a clearing of space so that we may re-experience where we are.